The critic, round 1

This is close to the Aventura backbone and could plausibly stand next to it. It has the split hero with a Caslon headline that changes colour across the split, alternating navy and paper sections, a pinned clip-wipe showcase, the numbered index, the stat circles and the footer form. Instead of photos, it draws legal documents in code, marked up with highlighter, redlines and stamps. That fits the brief's 'Legea, pe înțeles' idea well. The stamp works as the loader, the logo and the page-transition cover, and it reads as one continuous move on both desktop and phone. What holds it back: a hard overflow on the phone from the clause tabs, the statement section where text runs under the stamp rings and is hard to read, a dead band after the process stepper releases, and a page-transition cover that sits still for about 1.1 s. The document art is also reused, so it is not yet as art-directed as the reference.

• Documents drawn in code as the imagery (lease, divorce petition, dismissal decision, invoice and somație, each with highlighter, strikethrough redlines, ballpoint notes and violet stamps). It is a real idea from the brief, not stock photos of a courthouse.
• Hero 'Legea, pe înțeles.' split in paper and navy, with the colour flip and small corner copy, gets close to aventura 01. The Caslon roman plus italic pairing with Public Sans is well pitched.
• The stamp runs through the whole site: the loader arc draws into the IV mark and then into the 'Avocat Irina Voinea' stamp, which becomes the header logo. The page transition uses the stamp with a destination label and the footer ends on the stamp. The nav strips show one continuous move, and the phone menu carries straight into the cover without closing first.